TizzyT「流行」巡回演唱会 互动空间 西安

TizzyT｜「流行」巡回演唱会 互动空间（西安站）｜2026 年 11 月 7 日 10:00–22:00｜西安 浐灞万象汇 1 楼南厅

TizzyT「流行」巡回演唱会 2026 年开跑：成都站 5 月 23 日在五粮液文化体育中心综合体育馆，西安站 11 月 7 日在西安奥体中心体育馆。巡演把「流行」放在时间上讲，说它像潮汐，恒定又不断变化。演出之外，团队把这套说法做成一个可以走进去的空间，跟着巡演城市落进商场：5 月 23 日先在成都保利广场 L1 小中庭释出，11 月 7 日到西安浐灞万象汇 1 楼南厅。

空间由五段串成一条动线：艺术装置、时光荧幕、专属定格、惊喜「共创」企划、限定鲜花领取。入口是银色金属骨架搭起的几何架构，棱角切出空间边界，桁架之间走一条灯带，灯光明暗像脉搏一样渐次跳动。往里是时光荧幕：多台复古显像管电视机叠成一圈，各自放着不同画面，旧媒介装着新影像；官方文案写「当镜头锚定于你，显像管中呈现的鲜活画面，让新旧时光融为一体」。荧幕两侧留给拍照位与共创企划，出口处派限定鲜花；西安站另加限定周边售卖与黑色灯箱，灯箱上印着「流行展览空间」和商场自己的字。

西安的场地位于商场一层南厅，11 月 7 日 10:00 到 22:00 全天开放，没有票也能进。商场把它编进「西安应援首选地」系列第 6 期，票根可以换福利。演唱会 19:00 在西安奥体中心体育馆开唱，白天的时间就留给这块空间：粉丝先来走一遍荧幕与装置，领一支花，再进场。位置是商场主动线上的开放场地，不设围挡与门票，逛商场的人流可以直接汇进来。

两站的信息节奏不一样：成都用「率先释出」，在开场前把五段结构公布，告诉粉丝当天有什么；西安用「全部安排到位」，用现场图和票根福利收口。一条预热、一条落地，拼成设计—搭建—到场—分享的链条。公开信息里没有制作与执行方，站上按待定挂。对商场，这是演唱会档期的客流抓手，也是「应援首选地」能一期一期做下去的原因；对巡演，这是场馆之外的第二个接触点，把演出前的时间留在城市里。

TizzyT | "Pop" Tour Interaction Space, Xi'an | 7 November 2026, 10:00–22:00 | South Hall, L1, Chanba MixC, Xi'an

TizzyT's 2026 "Pop" tour moved through Chinese arenas: Chengdu on 23 May at the Wuliangye Cultural and Sports Centre, Xi'an on 7 November at the Xi'an Olympic Sports Centre Gymnasium. The tour was announced with Hangzhou and Chengdu as its first confirmed stops, and it frames "pop" as a thing on a timeline, constant and shifting like a tide. Beside the shows, the team turned that idea into a space people can walk into and placed it in the malls of each tour city: first released in the L1 atrium of Chengdu Poly Plaza on 23 May, open from 10:00 to 22:30 that day, then installed in the South Hall on L1 of Chanba MixC in Xi'an on 7 November, open from 10:00 to 22:00.

The space is organised as five linked parts: an art installation, a "time screen", a dedicated photo moment, a surprise co-creation programme and a giveaway of limited flowers. The entrance is a geometric frame of silver metal, its angles cutting the boundary of the room; a strip of light runs along the trusses and pulses like a heartbeat. The entrance panel carries the same idea in words, calling the room 'a plural magnetic field' where time, notes and stage meet. Beyond it stands the time screen: a ring of vintage cathode-ray televisions, each showing a different image, an old medium carrying new pictures. The tour's own copy reads, "when the lens settles on you, the vivid image on the screen merges old and new time." The photo point and the co-creation wall sit at either side of the screen, and limited flowers are handed out at the exit. In Xi'an a black light box and a merchandise counter are added, the box printed with the words "Pop Exhibition Space" and the mall's own marks.

The Xi'an site occupies the mall's ground-floor South Hall and stays open from 10:00 to 22:00 on 7 November, with no ticket required. The mall lists it as the sixth edition of its "Xi'an fan-support first stop" programme, and concert stubs can be exchanged for benefits. The Xi'an concert was licensed by the Shaanxi provincial cultural authority and ran for a single night, starting at 19:00 at the Xi'an Olympic Sports Centre Gymnasium, so the daytime belongs to the mall: fans walk the screen and the installation first, take a flower, then head to the arena. The location is an open patch on the mall's main circulation, without hoarding or admission, so ordinary shoppers flow straight in. A black light box marks the entrance, and the merchandise counter sits at the edge of the route, so the selling does not cut across the five-part walk.

The two cities were handled with different messages. Chengdu's was a pre-release: the five-part programme was published before the date so fans knew what to expect. Xi'an's was a completion notice: the space was "fully in place", closed with photographs and a ticket-stub benefit. One warm-up and one landing make a chain — design, build, arrival, sharing. No production or fabrication partner appears in public material, so the field is left pending on site. For fans without a ticket, the mall space is the only part of the tour they can walk into. For the mall it is a way to hold concert-day traffic and a reason the "fan-support first stop" series can return edition after edition; for the tour it is a second contact point outside the arena, keeping the hours before the show inside the city. The same five parts can be re-cut to fit another mall hall, which is what lets the format travel from stop to stop without losing its shape.

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