田·当代美术馆
场地介绍
田·当代美术馆(TIAN Contemporary Art Museum)位于长沙市岳麓区湘江西岸的滨江文化园,落在BOSMIA波西米亚文化艺术综合体内,具体位于地宝大厦西北侧裙楼2至3层。综合体由婚纱影像品牌波西米亚(BOSMIA)打造,总体量约1.8万平方米,是其首个文化艺术综合体;美术馆部分由品界设计(Scope Design)梁剑峰、翁德团队操刀,2021年7月启动设计,2022年6月竣工。设计以“田”与“乡土记忆”为线索:观众由独立入口经“序厅”拾级而上,城市噪音被隔绝,一道斜墙从平面生长出来,打破中轴对称,重建非对称的平衡;上到三层,“泥土盒子”与“泥土立面”在不同场域蔓延,把抽象的乡愁转译为可触摸的材料与光线。展陈空间以白墙、微水泥与自然采光为主,适合绘画、摄影、影像与小型装置展览。作为民营艺术空间,它与楼下的影像基地共享客流,试图把美术馆的学术性与影像消费的日常性放在同一栋楼里。品界设计把这次改造描述为从古典法则中析出抽象几何的尝试,用秩序感统摄材料、结构与光线。
TIAN Contemporary Art Museum sits on the west bank of the Xiang River in Changsha, inside the BOSMIA Bohemia Culture and Art Complex in the Binjiang cultural park, on the second and third floors of the podium north-west of Dibao Tower. The complex was built by BOSMIA, a bridal-photography brand, as its first culture-and-art development, with a total floor area of about 18,000 square metres. The museum was designed by Scope Design, led by Liang Jianfeng and Weng De; design began in July 2021 and the building was completed in June 2022. The design takes "field" and rural memory as its themes. Visitors enter through a separate doorway and climb into a preface hall, where the noise of the street gives way to a still, dim space. A slanted wall grows out of the floor plan to break the conventional central axis, establishing an asymmetrical balance and resolving an awkward lift layout. On the third floor, "earth boxes" and a flowing "earth facade" carry the idea of soil as a carrier of abstract memory. Galleries use white walls, micro-cement and natural light and are suited to painting, photography, video and small installations. The museum shares its building with a photography production base, deliberately placing academic exhibition-making alongside the everyday consumption of images.
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所在城市
长沙
场地地址
长沙市岳麓区湘江西岸滨江文化园(BOSMIA波西米亚文化艺术综合体内,地宝大厦西北侧裙楼2—3层)